Zanmi Lakay » Updates

Benefit for Zanmi Lakay – Helping improve the lives of Haitian street children

Jen — Thu, 19 Aug 2010 22:52:10 +0000

El Tecolote

2958 24th Street
San Francisco, CA 94110
(415) 648-1045

Wednesday, August 25, 2010 • 7:00 – 9:30 p.m.

Mission Cultural Center for Latino Arts • 2868 Mission Street (x 25th Street) San Francisco Talk and Slideshow • Haitian Art Sale • Music

$5.00 admission

Zanmi Lakay is a non-profit, all volunteer organization dedicated to improving the quality of life for current and former street children in Haiti. For over 13 years Zanmi Lakay has held photography workshops for street children. They learn to use film, pinhole, and digital cameras to document their lives. Their work has been exhibited in numerous cities, allowing the public to see Haiti through the eyes of its children.Fostering the children’s photographic talents not only boosts self-esteem and teaches practical technical skills, it also inspires change. Given a chance, empowering children enables them to improve their quality of life.

www.zanmilakay.org | www.eltecolote.org

For more info on this event, contact El Tecolote at 415.648.1045 or by email at maduenas@accionlatina.org

Wonderful article about our show in Washington D.C.

Jen — Thu, 12 Aug 2010 17:48:32 +0000

The show included work by Zanmi Lakay photo students, Maggie Steber, and art made by kids from ACFFC!

Through the Eyes of Haitian Children opening at Venice Arts

Jen — Sat, 31 Jul 2010 21:36:30 +0000

MEDIA ALERT

Contact:
Elysa Voshell, Venice Arts
310–578-1745 | elysa@venice-arts.org

WHAT: Through the Eyes of Haitian Children, photographs of Haitian life taken before and after the devastating earthquake by youth participants in the Haiti-based project Zanmi Lakay (Haitian Creole for Friend’s Home). The project has been working with street children in Haiti for over 13 years, and was recently featured on “Lens,” the photo blog of the New York Times. The Price of Sugar, a film screening about Haitians working in slave-like conditions in the Dominican sugar industry, will augment the exhibition. Open to the public and free-of-charge.

WHEN: Exhibit: Gallery Talk, Saturday, August 14, 2010, 4–5pm, Artists’ Reception to follow, 6–8pm; open through September 24, 2010; Film screening: Wednesday, September 22, 2010, 7pm

WHERE: Venice Arts Gallery, 1702 Lincoln Boulevard, Venice, CA 90291 | 310-392-0846

WHY: While image making in the digital age is nearly ubiquitous, participant-photography programs around the globe seek to develop the visual storytelling skills of participants so that they may create images that offer unique community and personal stories. Says Zanmi Lakay’s Executive Director, Jennifer Pantaléon, “We treated them as student journalists” and worked with them to develop themes and stories that explored various aspects of life after the earthquake. “They are still working through trauma, so engaging them and making them come face to face with it through a lens was one way to soothe it and take it outside themselves” while engaging their community and bringing an insider’s access and perspective to a tragedy that has largely be portrayed through the eyes of outsiders. The compelling photos in this exhibit are testament to the potential power of the participant genre, and to the importance, especially in the digital age, of teaching young people how to create images that are concerned with meaning and aesthetic.

WHO: The Venice Arts Gallery, a program of Venice Arts, has been in operation since 2003, showcasing outstanding art by youth, as well as photography and visual art by professional artists. In 2010, the Gallery refined its curatorial focus to feature both professional and participant-produced documentary photography and film, including documentary work in experimental genres. This fall, it will launch its first, free Public Programs in conjunction with the Venice Arts–USC Institute for Photographic Empowerment to include a series of presentations, conversations, and special events about documentary photography, photojournalism, and storytelling in the digital age. Since 1993, Venice Arts has been running innovative programs in documentary photography, filmmaking, and digital media targeting low-income youth in Los Angeles, for which it has received numerous awards and recognitions. Venice Arts also implements regional, national, and international participant-produced photo documentary projects with adults and children. In 2007, Venice Arts joined with the USC Annenberg Center on Communication Leadership to create the Institute for Photographic Empowerment.

MORE INFO: Venice Arts: www.venice-arts.org
Institute for Photographic Empowerment: http://joinipe.org/welcome/

Article on our students work at the Palm Beach Photo Centre

Jen — Sat, 03 Jul 2010 22:14:23 +0000

A nice article that includes Zanmi Lakay’s photography students from Art Creation Foundation for Children and their participation in a show at the Palm Beach Photographic Center – so proud!

Haiti Blog Update #5…finally

Jen — Tue, 29 Jun 2010 03:25:46 +0000

It has been very difficult for me to finish our report and re-visit our experiences in Haiti from January and February, to put together words and photographs showing what we did and what it was like. When people ask us how our trip was, the answer is elusive or short…it was bad, but we do what we can. I keep saying that Haiti was bad on a good day, but if you’ve never been to Haiti then it’s hard to understand. The devastation after the January 12th earthquake that measured 7.0 at 4:53 pm was so widespread and the needs so great that at first I was saying it was unbelievable…but it was reality and it affected millions of people. And it’s very important that we tell you what we did and how we used your generous contributions.

During our weeks in Haiti right after the earthquake, we accomplished many things overlapping and collaborating with other organizations and local communities, working with children and families, and doing whatever we could with the resources available. Zanmi Lakay received an amazing amount of help mostly in the form of useful funds that we gave out to assist so many people with immediate needs of food and supplies, for rebuilding, to restart business, for artisans to continue their work, to buy and order art in Jacmel and Croix de Bouquet, to sponsor Jacmel’s Silent Artist Procession, and to fund field trips, fetes, and activities for children.

We brought in 50 wind-up solar flashlight radios that you can plug a cell phone into thanks to Eton in Palo Alto. These were a huge hit especially with people in the camps, but everyone (doctors, artists, kids, journalists, co-workers) loved them and we could have used more. We delivered over 150 pounds of medical supplies to makeshift clinics, Hospitals in Cité Soleil and Jacmel, and to families. Dr. Max, who grew up with Guy, works at a hospital, clinic, and was out helping people on his own after the earthquake and we brought him a laptop, huge First-Aid suitcase, and supplies. For the children and families living at Lafanmi Selavi and the teens we sponsor living on and off the streets we gave out 50 Care Bags, some of the flashlights, clothing, daily needs, candles, medical supplies, and bought hundreds of pounds of food.

The facilitation of the food drops from G.O. Ministries via the volunteer pilots through the then run Canadian military secured Jacmel Airport was an amazing experience and feat and was the saving grace for ACFFC and their community. One day we received three calls for planeloads of food, and the airport staff was shocked when they found out we were storing and distributing it ourselves. That’s just how we roll! This connection was also how our 60 tents came into Haiti.

Seeing children busy and happy and creating was the most beautiful thing, and to see that they were able to experience moments of pure joy. They were very brave as photographers going out into their communities to work through their feelings and tell stories with a camera. It was great to see them receive attention when their friends and families viewed their photos in the slideshows. Some beautiful art was painted in the murals at ACFFC, and the children have continued to paint the inner and outer walls all while making hundreds of pieces of paper maché art. The young men of Trézo wrote songs about the earthquake, and have been in two music videos (both already on the blog).

All of this and more and much of it can be better understood visually through the photographs. Please take a look at the galleries below and feel free to contact us and share our news and give us feedback. Contributions are still needed, and we are committed to establishing a Community/Resource Center as a safe place to continue helping children.

Back to Port-au-Prince during the Weekend of Prayer

Jen — Tue, 29 Jun 2010 03:17:58 +0000

President Preval designated Friday Feb. 12-14 a weekend of prayer and all businesses were closed. We drove back to Port-au-Prince on that Friday (lucky we bought gas Thursday afternoon), and the road over the mountain from Jacmel was much better although still only one lane in some places. An especially dangerous curve had a crack with a drop off of over 14”. Further down the road almost at Carrefour we had to stop and pull the car over because the street was filled with hundreds of people chanting and praying. Coming into Port-au-Prince I began to notice the word Jesus spray-painted on the front of buildings, houses, doors, and gates. Holy Trinity is one of my favorite churches, and we also buy crafts at their shop that we can’t get anywhere else. When we saw before our eyes the complete collapse of the beautiful church it was almost too much to bear. The historical sculptures, paintings, and murals were bent and crumbled and we noticed that someone had begun to put the small pieces of rubble from the murals into color-coded piles. The National Cathedral was even more devastating. It was strange that the churches we visited, including Sacre Coeur, still had a standing crucifix while the main structures were collapsed, and always someone walking by praying to Jesus. In Croix-des-Bouquets, children were varnishing recycled metal crucifixes. Down at Champs de Mars in front of the National Palace, in lieu of the cancellation of Kanaval, the tent encampment had grown and the streets were filled with people singing, dancing, and praying in solidarity while all around them the buildings were crushed and live wires hung to the ground.

Art Creation Foundation for Children (ACFFC)

Jen — Tue, 29 Jun 2010 03:08:44 +0000

We spent much of our time working in Jacmel with artists, with young adults in our programs, but mostly with the 60-80 children of Art Creation Foundation for Children (ACFFC). Because there was no school happening after the earthquake, we knew a top priority was to create activities for the kids, and we made a lot of plans. The children were all busy making art, mostly paper maché birds at that time. We got about half of them started on a serious digital Photography Workshop giving out eight assignments while sharing cameras, but each student was able to do some reshooting and work on their own. We also took a bunch of students on a field trip to the beach and the river past Marigot, passing yet another funeral procession, and our fete at the end included a slideshow and tent giveaway (see Blog Update #4 for more info). The work of the students from ACFFC was published in the New York Times Lens Blog (see Feb. 18th post). We planned the Mural Project with the kids painting the walls of their Foundation building – each using a piece of the wall to create whatever they wanted, and they totally jammed and it now reflects the colorful and imaginative essence of ACFFC. As all of this was happening, we were trying to get supplies. The large NGO’s said our organizations were too small to help or supplies weren’t in yet or had some excuse for not providing tents and food, so we became resourceful, worked under the radar, and figured out things ourselves. Judy Hoffman, president of ACFFC, got a connection from Amerijet to G.O Ministries who were buying food and supplies in the Dominican Republic and volunteer pilots were flying it in to Haiti. We were the recipients of thousands of pounds of food that was distributed to children and families and staff of ACFFC, young adults we work with directly, and artisans and their families. It was amazing. This is also how our 60 tents arrived. We’d get a call from Judy with the first name of a pilot and the tail number of his plane, and then had about 40 minutes to find a truck and get to the small Jacmel airport. Some of the pilots asked us if we could take them on a tour so they could see the people and the city – we brought them to downtown Jacmel, Pinchinat, and to ACFFC, and it was a highlight of their work in Haiti to be able to meet the children they were helping.

Jacmel 2010

Jen — Tue, 29 Jun 2010 03:06:46 +0000

When we drove into downtown Jacmel the first thing we saw was the completely collapsed gas station. One of the hardest hit neighborhoods was the historical area and some of my favorite buildings were marked with a red check meaning they were condemned. Rubble from the main building collapse at Hotel Cyvadier was being crushed by men with simple tools and transported with wheelbarrows, and this was the case all over. When we went to give hundreds of pounds of medical supplies to the Jacmel Hospital, we saw the condemned church across the street and met the priest who had set up tents for his parishioners in an empty lot. Walking through the Jacmel Cemetery, we found a woman praying to the Baron cross who wouldn’t let us photograph her, but after she left (and told us not to follow) her ceremonial flame continued to burn. We were invited to a special Vodou ceremony where beautiful Mambos danced and prayed and sang for Haiti, and Danballa and other loa made appearances. Many organizations and countries were contributing aid in various ways, and we came upon Spanish drivers napping along their large convoy of supplies and Save the Children dispersing blankets. We ran into many memorial services with full funeral bands. Although Kanaval was cancelled, paper maché artists still had work to display yet much that was ruined in the earthquake. Zanmi Lakay gave out a lot of supplies and funds to these artists and their families.